Gégé bí ìtàn se so è yun-ùn tí won pín sí orí èro ayélujára (IG) ti Joro Olumofin. Òdómobìnrin tí ó gba òrékùnrin rè tí kò n’ísé l’ówó gbé nínú ilé rè ní Eko padà délé láti ìrìn-àjò tí ó lo láti ya òrékùnrin rè lénu sùgbón tí ó padà ri wípé n se ni omokùnrin náà n re je.
Gégé bí ó se so, òrékùnrin náà n fi tipátipà jé kí ó fi pátá tí ó won ìwòn mérìnlá (14) sílè fún oní ìwòn méwàá(10) sùgnón ìyàlénu lójé wípé obìnrin náà rí pátá tí ó won ìwòn méjìdínlógún nínú balùwè…
Tagged with: Àṣà Yorùbá
AFRICAN AESTHETICS Many universities in the West are developing core curriculum programs focused on “Western Civilization,” while increasingly purging African, African Diaspora, Asian, and other civilizations from their programs. The West focusing on Western Civilization is appropriate. The days of African and African Diaspora Studies seem numbered. At the same time, Africana artists are producing contemporary works like never before. What are these Africana artists going to read? Are they going to study Western Civilization only, without any understanding of ...
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